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Shirts,
pants, socks and shoes are scattered carelessly across
the floor in the dressing room.
The faces that are pressed close to the mirrors are set in deep concentration,
and makeup and jewelry are strewn across tabletops. At first glance
the scene is the same in hundreds of dressing rooms across New York
City. But at Lips, a restaurant and cabaret in the West Village, there
is one difference – the men who enter the dressing room leave as women.
The transformation takes more than an hour of meticulous makeup application
and the addition of key anatomical parts, but the results are convincing
enough to make any straight man stop and stare at the "lady"
walking by.
Sequined
dresses, blond wigs and gaudy jewelry are the tools of the trade
and they are musts for any successful drag queen.
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But
why do these men, performers who double as waiters and bartenders,
choose to spend more than eight hours a day dressed as women?
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For
most, money is the main motivator. When Melody Kool first started
performing as a drag queen he was offered $200 a song, enough, he
says, to get over his initial embarrassment. However, take away
the money and many of these men would still continue to work as
drag queens.
"At
first I found it a challenge," says Ginger Snap, a performer at
Lips who also spends much of his personal time in drag. "Now, I
love it."
Unlike
many of the other drag queens at Lips, Frankie Cocktail Fioravonti
will not leave the restaurant dressed as a woman. "This is my profession,
not a lifestyle," Fioravonti says. For Fioravonti, dressing in drag
is an artistic outlet, a way to express creativity while making
money. This career as a drag queen started two years ago when as
a bartender at Lips he felt left out. After receiving makeup tips
from a friend and buying the necessary accessories, he began performing.
"It
started my career all over and made it fresh and interesting," says
Fioravanti, 47, while applying black eyeliner.
Transforming
into a successful drag queen takes time, and in the dressing room
makeup and dress tips fly back and forth between the performers.
"Do
you use mascara with [fake] lashes?" asks Ginger Snap of Fioravonti.
"Yes,
that’s how you blend them together."
"Can
I wear this bra with this dress?" shouts Rejene Contour, a tall
thin man who has been doing drag for five years, as he modeled a
long silver dress with a cut-out back.
"No,
it shows too much in the back," answers Fioravonti.
The
performers in the dressing room agree that it took months to learn
how to make themselves look like women.
It
took Punani, who does not use a last name, two years to get the
perfect look.
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Rejene
Contour answers the phone before her performance as Cindy
Lauper.
PHOTO:
Rachel Elbaum
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Short,
with long blond hair and large (fake) breasts, Punani has been dressing
in drag for six years. "It started off as a gag, I wanted to see
how good I can become," says Punani, 26, who says
his name means flower in Hawaiian. "I’m interested in the visual
aspect, the illusion, the image."
But
for many, keeping life as a man separate from life as a woman is
not always possible.
"It
tends to rule my social life," says Kool, 25, whose birth name is
Lamont Mondell. "If we all go out we’ll leave straight from here
and go in drag. Then when I am dressed as a boy, I am so tired that
I don’t want to go out as Lamont. Or I don’t want to go to nightclubs
as a boy because I was there last night as a woman."
Kool
wants to stop performing as a drag queen in the near future, though
he has set no exact date, and work instead as a male performer.
Peppermint
Stick, 22, whose birth name is Kevin Moore, has been working as
a drag queen in New York for three years and is one of the few performers
to come to work and leave work dressed as a woman.
"My
first taste of the scene was as a woman. I’m out of practice being
a boy," says Peppermint Stick.
But
unlike Mondell, Moore is not looking to end life as a drag queen
anytime soon. "It’s
too much a part of my life to cut out."
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Jennifer,
waitress and performer at Lips in the West Village.
PHOTO:
Rachel Elbaum |
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Frankie
Fioravonti dips false eyelashes in glue before applying.
PHOTO: Rachel Elbaum |
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Kevin
Moore relaxes with his makeup still on after performing as
Peppermint Stick.
PHOTO:
Rachel Elbaum
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Lamont
Mondell gets dressed after performing as Melody Kool.
PHOTO:
Rachel Elbaum
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Rejene
Contour before starting work as a waitress at Lips.
PHOTO:
Rachel Elbaum |
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